Manila Metropolitan Theater - Wiki. Visually. The Manila Metropolitan Theater (Filipino: Tanghalang Pangkalakhan ng Maynila, or MET) is a Philippine Art Deco building found at the Mehan Garden located on Padre Burgos Avenue corner Arroceros Street, near the Manila Central Post Office. It was designed by architect Juan M. Arellano and inaugurated on December 1. It was located within Plaza Arroceros, near the present- day Metropolitan Theater. In 1. 87. 6, the old theater was burnt down. It was in 1. 92. 4, during the American Colonial period that an idea of constructing a theater in Manila came about. It was approved by the Philippine Legislature to build Senator Alegre’s theater proposal within the Mehan Garden (now Sining Kayumanggi). The construction began in 1. Pedro Siochi and Company in a 8,2. It was inaugurated on December 1. Special Student Edition. Noli Me Tangere Musical Play. The Manila Central Post Office is the. The monument depicts Rizal in overcoat holding Noli Me. De Guzman, Maria Odulio Constantino. The Noli Me Tangere Normative. At the Universidad Central de. This new theater housed different performances from zarzuelas, dramas to translations of foreign classics. He was sent to the United States to be guided by one of the experts in designing theaters, Thomas W. Lamb of Shreve and Lamb. During the post- war period, it was misused as a boxing arena, low- quality motels, gay bars, basketball court and home of the squatters. Restoration was done by Otilio, the nephew of Juan Arellano in 1. Its prestige as a cultural center was redeemed but short- lived. It closed down its doors again in 1. Government Service Insurance System (GSIS). Then- president Gloria Macapagal- Arroyo and then- mayor of Manila Alfredo Lim tried to revive the theater on June 2. But since 2. 01. 2, the theater is closed again due to decays inside the building. In May 2. 01. 5, the Department of Budget and Management released Php 2. Million from the National Endowment Fund for Culture and the Arts (NEFCA) for the sale of the Met from its owner, the GSIS. In June 2. 01. 5, the GSIS transferred the right of the Met to the NCCA to start the rehabilitation process of the Met. Architecture. Aside from his knowledge on Filipino art was the factor of economy which both helped the architect in having a modern design approach to the theater. Meanwhile, the phrase “on wings of song” gave the structural configuration, a box- shaped auditorium flanked by pavilions on both sides. The mix of modernization and romanticization resulted in A. Hartendrop labeling it as modern expressionism. This helps bring in light to the lobby. It was highlighted on both ends by the curving walls with colorful decorated tiles in resemblance with the batik patterns from Southeast Asia. There are also moldings of zigzag and wavy lines that go with the sponged and painted multi- colored massive walls. The wall that framed the stained glass is a segmented arch with rows of small finials on the upper edge of the wall. Located in the entrance are elaborate wrought iron gates which are patterned into leaf designs and various lines. Accenting the ground level are Capiz lamps and banana- leaf formed pillars which go alternately with the theater’s entrances. The ceiling profile of the auditorium was reflected in the exterior through stepped vaults. Located at the main lobby were sculptures of Adam and Eve done by Francesco Riccardo Monti,who resided in Manila from 1. The grillwork on small balconies looking out into the foyer was exceptionally elegant transitions from Art Nouveau to Art Deco, expressed by Lourdes Montinola in her book. A sequence of gradually lowered arches made of local wood, enhanced by panels with colorful motifs. These motifs were a combination of mangoes, bananas, and foliage painted by the brother of Juan Arellano, Arcadio. On top of the proscenium are figures symbolic of Music, Tragedy, Poetry and Comedy. Resembling bamboo stalks are the tapering lamps of translucent glass which surround the theater space. It is also a new character of Art Deco during that period. The theater, according to some people has good acoustics and lighting and a large seating capacity of 1,6. Government Service Insurance System (GSIS), the Manila City Hall, and the National Commission for Culture and the Arts (NCCA) had an agreement in reviving the historical theater. An example of this is a bus terminal and a parking structure that have both been constructed at the back of the theater. Vandalism, political advertisements, promotional materials and trash now degrades the heritage theater. The theater has been protected using pieces of wood, scrap electrical wires and rundown plywood. Help continues to pour in but lacks any concrete actions. An assessment is being done to determine the cost of restoration, which was initially estimated at another 2. It is planned to transform it into a . Art Deco in the Philippines. ISBN 9. 78- 9. 71- 0. Landmarks of Manila: 1. Makati: Filipinas Foundation, Inc. Arkitekturang Filipino: A History of Architecture and Urbanism in the Philippines. Quezon City: The University of the Philippines Press. ISBN 9. 78- 9. 71- 5. The Imperial Tapestry: American Colonial Architecture in the Philippines. Manila: University of Santo Tomas Publishing House. ISBN 9. 78- 9. 71- 5. Heritage Buildings that Need to be Rescued.^Tiongson, Nicanor (1. Reopening souvenir of the Metropolitan Theatre during President Ferdinand Marcos^I- Witness, GMA- 7. Retrieved 1. 7 December 2. New MSO Season Opens June 5.
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